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  <title>To live? - Asian American Film - tribe.net</title>
  <link rel="alternate" href="http://asianamericanfilm.tribe.net/thread/e209b3b3-103c-415c-a51e-a95ded79c066?format=atom" />
  <subtitle>Tribe.net. Local Connections</subtitle>
  <entry>
    <title>To live?</title>
    <link rel="alternate" href="http://asianamericanfilm.tribe.net/thread/e209b3b3-103c-415c-a51e-a95ded79c066#d3e4fb76-eed0-4e08-97a2-1d2c31297f6d" />
    <author>
      <name>John</name>
    </author>
    <id>http://asianamericanfilm.tribe.net/thread/e209b3b3-103c-415c-a51e-a95ded79c066#d3e4fb76-eed0-4e08-97a2-1d2c31297f6d</id>
    <updated>2007-11-22T09:13:44Z</updated>
    <published>2007-11-22T09:13:44Z</published>
    <summary type="html">I just watched "To Live".&#xD;
&#xD;
The movie was very sad, and I pondered at the end if doing what *seems* necessary to stay alive in a totalitarian society is really living, or just enduring. There seemed to be a subtle fear that underlies all the post-revolutionary conversations of the couple who are the main characters. They *live* by never standing up, by making concessions and sublimating their conscience to what is *necessary* to remain alive. I am certain the director toned down the reactions of the movies characters to the injustices which occur throughout the film, to accommodate the Chinese government. As a result, I was left wondering whether the couple subtly despise their actions *to live* by repeating to each other past mistakes (which led to personal tragedy) or see the life of their grandchild -- the hope in a future generation for a better life as a sort of redemption -- as justification for the compromises they made . Or perhaps both. &#xD;
&#xD;
Any answers?</summary>
    <dc:creator>John</dc:creator>
    <dc:date>2007-11-22T09:13:44Z</dc:date>
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